Saturday, February 12, 2011

Trish Stratus Without Dress

Burlesque (2011) The

PLOT
Ali Rose has little money and a great ambition: to leave the small town America to live the American dream. He arrived in Los Angeles and reception can be used in variety theater run by the rough but generous Tess, singer and creator of the dance numbers that ignite the stage every night of Burlesque Lounge. Enrolled as a waitress, Ali dreams to tread the stage, wearing feathers and sequins and maybe fall in love with Jack, a bartender with a heart of gold and the sweet face that writes songs ever ready. The dismissal of Nikki, the first dancer ever bilious and always drunk, and the unexpected pregnancy of another dancer will enable it to win the stage and reveal her amazing voice. The triumph was announced and immediate success. Ali's talent alone will be enough to redeem the debt local fabrics, former husbands and entrepreneurs eager to crown and dreams and feelings.
Beautiful, blond and perfectly coiffed from the first shot, which surprised her maid of humble origins in a dusty pub in the province, the Wings of Christina Aguilera in less than an hour to reach the goal of "Chorus Line." Striking a voice, beads, seals Burlesque erotic innuendo and nuances of a script and usually sentimental and artistic success of the protagonist, hampered by poverty, but encouraged by the determination, the will and the ever-Prince on duty. Set in the city of angels and the shade Hollywood Hills, the musical by Steven Antin is a linear tale that travels from the beaten track and usually where the good feelings invariably triumph. If
Tony Manero lived according to the Saturday night and had eyes only for Stephanie, Ali Rose lived to put platinum wigs and high notes and eye care for an aspiring composer who employ one hundred and fifteen minutes to declare their naked behind a box of cookies. Unlike Jennifer Beals in Flashdance, Christina Aguilera sings and dances really (and seriously) without saving the entry, and tirelessly in very effective performances. After warming up with the cover of "Lady Marmalade" Moulin backstage Rouge, the American songwriter earns screen, stage and commercials. Within that circular beam of light is consumed then the happy parable of his character, a girl exuberant and fluffy innocence that does not, however, lacks the gloss of that perception that is happening around. Burlesque is not the glow in a position to shake the genre, winning perhaps the musical identity more modern and intelligent, but it is true that the stage of Burlesque Lounge staged performances of appreciable intensity. The smile and open Aguilera's bold personality compare with the grace of Mrs. Cher, whose sober elegance and the "plastic" figure does not lack charm (again) the patrons of the Sunset Strip in LA. The
amused counterpoint between the two pop (Olarte) star captivate the audience with a bright and bustling city, allowing you to overcome personal problems. Dancing (and singing) becomes once again sublimation of chaos, disorder and failure in a whirl of sequins, rhinestones, shapes and narcissism.

TRAILER


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