PLOT Nina is a dancer New York City Ballet who dreams of life and the role of a love that breaks the spell of adolescence never finished. Pressed by a frustrated mother, she undergoes a grueling training under the watchful eye of Thomas Leroy demanding. Choreographer passionate and determined to make it a shining star, Leroy assigns part of the protagonist in his new version of "Swan Lake". On stage will be Nina Odette, a princess turned into a swan by the magician's spell Rothbard, which can only dissolve the oath of eternal love. Ethereal and full of grace Nina embodying the innocence of the white swan and difficulties with its double-black darkness, in a superb variation deceive her prince and will vote for suicide. The obsessive search for the dark side and the awareness of his sexuality lead to an emotional storm and a meeting with Lily, insidious rival in black. Behind the scenes Nina melts and gets ready to 'double' its white swan.
Two years after the Incarnation in The Wrestler radical found in the sample in the disarmament of Mickey Rourke, Darren Aronofsky's film puts the screen in a story speculating. Founded on the same simple "theorem", get into a ring or on the boards of the stage to exist, Black Swan takes this time to debut with the protagonist's life and role in life. To be, Nina Portman will be forced to take a lift to hell and fight with his double up with him to contemplate and achieve perfection. In aid of the New York director shall be the quintessential ballet, a classic of dance theater, a perfect synthesis of poetry, choreography and lunar late romantic, formal clarity and disturbing symbols of psychoanalysis, which opposed a white swan (Odette) to a black swan ( Odile) between arabesque and attitude, including tremors of the arms and amazing nervous body movements. It is precisely this perspective opens the way to screwing mental fluctuations and internal bodily metamorphosis missing the mark, showing off the enormous philosophical ambitions of the author.
spatial-geometric relationships between the characters and architecture alive and in motion created by the corps de ballet, perfect refraction and propagation of Odette, inspired by Black Swan and found his story without limits and boundaries of gender. Drama, melodrama, thriller and horror are combined on the stage area (re) created by Aronofsky and divided into positive and negative poles of attraction which vanish at the center when the amorous ecstasy of Odette and her prince, and Nina her choreographer.
Once again the director focuses on the scene a body, a woman struggling with something else, obsession and object of veneration with which to search for a possible integration. But if Mickey Rourke, full of meat and bruising punches in the face, has managed the company's flight on the black epilogue, Natalie Portman fails the parable and the truth of the body, echoing the gestures cignesca and collapsing on the floor.
TRAILER
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