PLOT Martin Harris is a famous American botanist and married to the beautiful blonde Liz. Landed at Berlin with First Lady, Dr. Harris via taxi the hotel Adlon, where he held a prestigious conference on biotechnology. Realizing very soon not have to carry his briefcase, Martin takes a second direct taxi to the airport to retrieve the luggage. Unfortunately ended his race in the river and saved by the young woman driving the vehicle, the man was admitted unconscious. Only undocumented and awakens from a coma after four days, just remember to be Martin Harris and have a wife waiting for him at the hotel. Resigned despite the apparent state of confusion and contrary to the opinion of the doctor, Martin returns to where he started, discovering to his horror that his girlfriend does not know who he is, and that the stranger next to him, declare that even Dr. Martin Harris. Forcibly removed by security, Martin will have to liquidate the recovering impostor, memory and identity.
Two years after the scandal provoked by his Orphan, horror movie produced by DiCaprio's Appian Way, Jaume Collet-Serra turns the page, change the type and the accusations of stores 'importunity' associations from the U.S. moves for children. Inside a desaturated Berlin, wrapped in light gray and always winter moon, the English filmmaker 'rushes' identity of the protagonist without Liam Neeson, as a result of a trauma will have to solve a problem in a strange city, and filled with antagonists.
The urban dimension of its global adventures and is fixed by aerial shots that exhibit a hero disoriented and uncertain ideally next Cary Grant of the suspect's guilt, of North by Northwest, To Catch a Thief. Hit by confused memories of the tracks his marriage and a journey of love in Paris, Martin Harris is a common man involved in spite of himself in a situation bigger than him, in which unexpectedly give his best, drawing on (in) Suspicion of resources to rediscover literally. Why in the psychological thriller Collet-Serra and no one who claims to be and anyone who is not believed to be.
Referring to and quoting from the Hitchcock film mentioned above and denouncing the reference to Polanski (the slippery sequence on the roof), Unknown celebrates the dialectic ordinary / extraordinary and apply directly to the protagonist: bland and anonymous first normal man, a man of action and brilliant determined later. It is undoubtedly Liam Neeson's intense interpretation to determine the energy and pace of a film that chases clues and piece together bits and pieces of identity. And slowly the fortuitous circumstances give way to specify an architecture, the fatality comes together in a device inevitable and the protagonist back to the beginning of self.
Has no sign of stylistic Polanski (Frantic) and tough and impossible to join by Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum), Collet-Serra still packs a film with a strong expressive impact that retrieves the pleasure of the chase, 's anxiety and startle. Contributes to the success of an impeccable cast. To note the understated Sebastian Koch, "Nazi good "for> Verhoeven (Black Book), the grace and action of blonde Diane Kruger, the caustic ambiguity of Frank Langella and the Extent of Bruno Ganz, rigorous former Stasi officer, operating this time from the 'good' of the wall.
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