PLOT Aron Ralston, 26, a sports enthusiast and freedom, is granted a day of biking and hiking in Blue John Canyon in Utah. Sun, music, stunning scenery and a chance encounter with two beautiful hikes that are suitable for diving and laughter: what you ask for? He returned alone, however, going down a crevasse, Aron inadvertently moves a rock millions of years old and found himself pinned, one arm stuck between this and the rock with virtually no food or water. Survive 5 days in serious physical and psychological conditions, reaching, for free, segarsi in the arm with a boxcutter.
Danny Boyle has always refers to the cinema as an extreme sport. For better or worse, like it or do turn up their nose, this is his creed, his march. In the past, But after meeting with the magical imagery of Irvine Welsh, it is often strive for to match the pace and direction of the stories with that of his vision and his camera, forcing her hand and running out with pleasure in virtuosity free and grezzotto.
The real story of Aron Ralston has offered, instead, the British director who has been waiting for this (or maybe we were waiting for him more than he does), that is bread for his teeth, food for her mind. Boyle re-imagines, in fact, the extreme experience of Ralston with slow motion and accelerations, the subjective and impossible to double in size (the video camera, as in The Beach) that he likes so much, but with a modesty and a Cleaning that we were not ready to give it.
challenge himself as the protagonist and the possibilities of her body, drawing enjoyment, it is clear that the director responds with pleasure to the challenge of building secure an action movie with an actor who can not move. Yet neither this nor the easy overthrow human portrait of the overcrowding in the images of opening and the vacuum that imprisons the boy later, or between the hot and cold of the films of the will given to the videos, to stick to the film. Rather, it is the idea expressed in a sentence dictated by the delusion, namely that the stone Aron expected since he was born and that his life had not been that a preparation for that day, which contains an idea of \u200b\u200bcinema strong and exciting and makes the flashbacks and hallucinations have a soul and that the act of our thinking and that of film come back here to meet without forcing, name of a similar nature.
Without falling into the drama of pain, James Franco gives a better proof of his talent, succeeding only with the first plan to build a character full of contradictions, from the extraordinary strength of mind.
At the end of a cinematic experience like this is a final pardons to the director useless, out of style and out of place.
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