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Call of Duty - Black Ops (ITA)

DESCRIZIONE
La pressione che grava su Treyarch in questo momento non è affatto indifferente. Per capirlo bisogna considerare il contesto in cui debutterà Black Ops. L'ltimo capitolo di uno dei franchise più importanti del panorama dei videogiochi, è stato preceduto da un episodio che ha stabilito nuovi record di vendita. Provate a parlare con chi i videogiochi li conosce poco, e vi accorgerete che oltre a classici quali Pac-Man e Super Mario Bros, saprà senza dubbio dirvi cos'è Call of Duty.La competizione non è limitata all'illustre predecessore, Modern Warfare 2: prima di Black Ops infatti arriveranno nei negozi Halo: Reach e Medal of Honor. Lo scorso anno, nessun diretto rivale di Modern Warfare 2 dared to debut in the same period but this year things will diversamente.E then there are the expectations of Activision. After the departure of key personnel by Infinity Ward, Black Ops becomes a crucial opportunity for Treyarch, to take the place of the creators of Modern Warfare, however, the authors of World at War will make a great game and the multiplayer will be one of the battlefields where they will play pesante.Se Modern Warfare 2 on one side failed to convince all of the single player campaign, the multiplayer is by many considered the benchmark for online FPS.
Treyarch will be working on this to make people forget Infinity Ward and, as shown Up to now, the challenge appears impossibile.Il gameplay is fundamentally based on a modified version of Engine used in World at War. The controls are customizable and allows the automatic coupling of the target again to fire rapidly at enemies. Even the HUD has important innovations over the past COD, although on the map are the indicators that allow you to quickly communicate to their mates the position of the enemy. Unlike in the past also, the screen turns red when the player is ferito.Disponibili once again a number of variants, including perks, equipment, and an entire arsenal skin based on the weapons in use at the time of the Cold War. I giocatori possono creare classi personalizzate e, prendendo parte alle sfide online, guadagnano naturalmente punti XP. Questi permettono di scalare le gerarchie online.Tipologie di gioco e morfologia delle mappe appaiono familiari, in base a quanto mostrato da Treyarch. Le quattro mappe già presentate dagli sviluppatori includono una serie di elementi che contribuiscono a conferire varietà alle ambientazioni e garantiscono una molteplicità di approcci dal punto di vista tattico.Cracked è una mappa ambientata in una baraccopoli vietnamita, mentre Summit porta la sfida su una fabbrica tra le montagne; Radiation è una centrale nucleare mentre Launch è ambientata in una fabbrica di missili che a intervalli regolari diventa impraticabile a causa delle fiamme following the launch of a vector.
With Black Ops, Treyarch has tried to balance the multiplayer experience to attract both veterans of online FPS, and those who generally avoid the adrenaline of the competition in attracting newcomers rete.Per Tryarch has devised a method called Combat Training. This is a series of challenges based on the competitive multiplayer modes, but to play against AI-controlled bots. The player can select the level you want and take part in the challenges alone or in company of their friends. The system of progression is different from that based on XP, the online multiplayer mode, and overall seems ideal to allow players to work out a little 'before plunging into battle against other opponents umani.I veterans COD probably unaware of this mode, and will focus on the likely content of the unpublished multi Black Ops: In addition to new weapons are present some gadgets that can serve to identify the enemies on the map, to make some new perk esempio.Alcuni (such as the Flak Jacket, which reduces damage from explosions) are added to old acquaintances, perk while others were slightly changed in name and structure . In addition, the perks of first class are able to change the appearance of the player. The usefulness of this option is not purely aesthetic mates and opponents can understand so what are the intuitive skills of the player based on its aspetto.Le consecutive kills ensure access to old and some new bonus. The UAV is now called Light Aircraft, and instead of the Predator missile can remotely control a RC-XD. Killestreak other hand are completely new: this is the case of attacks based on Napalm and SAM turrets.


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THE EXPECTATION OF POSITIONS OF PUBLIC WORKS INSPECTION OF DEPOSIT

Article 120, paragraph 2-bis of the Public Contracts Code, establishes the obligation for contracting clients to assess as a priority the suitability of its employees, or other contracting authority, the performance of office test, based on appropriate requirements, while allowing the use of outside professionals, the principles and legislation, only in case of shortage of suitable staff to the benefit, determined by the head of the procedure. E 'was also included in Article 91, paragraphs 1 and 2, the express reference to testing in the activities covered services related to engineering and architecture subject of insolvency proceedings.

Il quadro normativo in materia, con riguardo ai lavori pubblici, è poi completato dalle disposizioni dell'articolo 141 ove, nel prevedere la nomina da parte della stazione appaltante da uno a tre tecnici per l’attività di collaudo e le incompatibilità con le attività di progettazione, direzione, vigilanza ed esecuzione lavori, si rinvia al regolamento ex articolo 5 del Codice la fissazione dei requisiti professionali dei collaudatori in relazione alle caratteristiche dell'opera, nonché le modalità di espletamento dell'incarico e la redazione del certificato di collaudo, sostituito dal certificato di regolare esecuzione per lavori di importo pari o inferiore a 500.000 euro.

L'Autorità si è occupata matter with the act of Regulation No 6 / 1999 on the tasks of design and other technical services related to project execution, with respect to the previous legislation in respect of public works in accordance with Law No 109/1994.

With Resolution No. 82 of 2007 and the views No 65 and 102 of 2008 stated that the testing of public works is among the services subject to the provisions of the Code.

With Determination No 2 of 25 February 2009 the Authority has provided the information for the award of public works inspection of works following the entry into force of Legislative Decree 11 September 2008, No 152, ha apportato importanti modifiche alla disciplina degli affidamenti degli incarichi di collaudo. In particolare:

1. il collaudo relativo ad un contratto pubblico di lavori è affidato in via prioritaria al personale interno della stazione appaltante, in possesso dei requisiti fissati preventivamente in relazione alla complessità della prestazione; tale affidamento deve essere motivato, con riferimento alla esperienza e competenza dell'interessato, nel rispetto dei principi della proporzionalità, della trasparenza e della rotazione, a tal fine assicurando anche, con cadenza periodica, adeguata pubblicità degli incarichi affidati; al personale employee of the contracting authority in charge of testing it, as compensation of the activity, the incentive under Article 92, paragraph 5 of the Code;

2. the contracting, in the event of failure of its staff, is required to verify the possibility to entrust testing for employees of different administration;

3. test includes all activities necessary for technical assessment in accordance with the rules of the trade with respect to the subject, with particular reference al collaudo statico, che è svolto pertanto dal soggetto incaricato del collaudo, in possesso dei requisiti stabiliti dalla specifica disciplina;

4. l'affidamento esterno dell'incarico di collaudo, rientrante nella categoria 12 dei servizi attinenti l'ingegneria e l'architettura, di cui all'all. IIA del Codice, avviene mediante procedure ad evidenza pubblica, nel rispetto delle disposizioni concernenti l'affidamento di tali servizi, ai sensi degli artt. 90 e 91 del Codice;

5. è consentito l'affidamento economy in the assignment test, if the contracting authority has indicated that activity in these Rules, pursuant to and within the limits of Article 125 of the Code;

6. participation in the competition is foreclosed in a general civil servants, except in cases where the conduct is permitted by the rules of professional civil service (Article 53 of Legislative Decree No 165/2001);

7. permitted to participate in the bankruptcy of engineering company which must be responsible for the performance, in line with the provisions for contracts for the design;

8. the requirements for participation in the tender should be proportionate to the required performance, encouraging the broadest participation of stakeholders to this end, the experience is assessed with regard not only the function of testing, but to other activities relating to engineering services and architecture;

9. the identification of the person with custody is performed using the criterion of the lowest price or most economically advantageous tender, based on the discretion of the administration.

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Hereafter (2011)

PLOT
Lelay Marie is a French journalist to death and survived the tsunami. Returning to Paris, he wonders about his experience hanging between shimmer and dark, alienating fiance and editor. Marcus is an English child survived the mother a drug addict and his twin brother, hit by a car and a tragic destiny. Lost and 'odd' but stubbornly tries in vain to get in touch with Jason, which wears the hat, and preserves the remains lovable. George Lonegan is an American worker can see beyond life. Decided to reject that gift and to finally win a life normal, George 'listens' to the novels of Dickens and attended a course in Italian cuisine. It will be the "Little Dorrit" by British writer to take him to London, where he lives and Marcus presents his new book, Marie. The meeting will be inevitable. George Marcus and Marie will find relief and answers on this side of life.
You can not see "beyond" of things without being a prisoner of pain. I know George and Marie, adult protagonists Hereafter, which have hovered in the doorway, experiencing death and escaped to better enjoy all that remains live in the world. A world made less imperfect by a boy in his eyes and gestures, something kind. Something that will appeal to Matt Damon and George will find a bank to his solitude. In an extraordinary composure of classicism, which gives a moment of almost unbearable tension in the sequence of long and fierce tidal wave, the latest film by Clint Eastwood teaches something about life confronting death, that occurred (Marie), that suffered (Marcus ), the shared (George). Hereafter
acknowledges that life is an experiment with a term to be set through prospects for this front: on this side and beyond the boundary that separates the presence absence. It is this line of demarcation to make a pivot for mounting alternate lives of a woman, a man and a child inside a geometry of dazzling clarity and urban spaces designed to pass on to their destiny as a social novel by Dickens. Destinies inevitably derailed and hit hard by nature (the tsunami in Indonesia), from the social tensions (the terrorist attacks on the London Underground), the fatality (the accident), for which they meet for a moment (or life) in a mutual exchange of salvation. Because from time Eastwood's characters have left the typical American hero isolationism in favor of a dialectic that has in place multi-party claims and contrast.
Hereafter is no exception and prepares l’incontro, il controcampo del campo: lo sguardo di Cécile De France che ha visto, quello di Matt Damon che riesce a vedere, quello del piccolo Frankie McLaren che vuole andare a vedere. Facendosi in tre l’autore mette lo spettatore al centro di qualcosa di indefinibile eppure familiare come il dolore dell’essere, produce punti di vista potentemente fuori binario sul tema della morte e offre a Damon l’occasione di comporre la migliore interpretazione della sua carriera. Disfandosi della cifra della neutralità, il divo biondo conquista l’emozione e la cognizione del dolore, abitando un sensitivo che ha visioni di morti (e di morte) al solo contatto delle mani, una tristezza profonda piena di pietà e il desiderio di smettere of viewing the past of those who remain and imagine the future (and taste) of a kiss. Hereafter
Clint Eastwood has a vocation to the nuances, dares to explore the death with the grace of the poet, and asks questions on matters philosophical and spiritual in contrast to the weakness of the present and in a poignant epilogue to a feeling of energy crop in the future. Harvest inevitable, as a transition and all other dynamic nature.

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Piranha (2011)

PLOT
Produced by Roger Corman and directed by a young Joe Dante, the Piranha is an original film lively and spirited, perhaps the most brilliant of the clones derived from the massive success of Spielberg's Jaws. Among its strengths there are some special effects, save for the time. The idea to remake it with more sophisticated means of today and the use of three dimensions was not so farfetched.
A deal was one of the hottest names of the new horror, Alexandre Aja, who after a brilliant high-voltage was moved to the U.S. indulging in a serial fashion remake of the famous footage of the horror titles (before this, The Hills Have eyes and Mirrors). The plot is substantially different from that of the film Dante, eliminating any reference to "political" and giving carnivores a natural origin fish, not dependent on experiments prohibited. An underwater earthquake free in the waters of Lake Victoria a voracious horde of prehistoric piranhas - called Pygocentrus - which do damage suffered by devouring an unlucky fisherman. In
holiday town on the shores of the lake is preparing a big party and they all have in mind to have fun, especially the boys. The director Derek Jones is there to turn the shooting erotic hires Jake, a young-looking place a bit of 'unlucky, because the guide's face during filming. For him it is a kind of heaven on earth, given the number of buxom women on board the yacht of the director, even if it puts a bit 'in trouble with Kelly, her friend for whom he secretly have a crush. Jake's mother, Julie Forester, is a tough chick: it is the sheriff of the town. Together with his assistant Fallon (Ving Rhames), is responsible for researching the fisherman mysteriously disappeared: they find his body stripped and wonder what might have reduced it. I will soon find out, but that does not diminish their troubles.
Aja keeps a steady pace and makes it interesting and funny the first part of the film, using shades of comedy and youthful injecting a strong dose of good-natured eroticism. Keep this bold and carefree approach also when fish killers enter heavily in the scene, first suggested by any hint of suspense hitchcokiana and then exhibited in large quantities with good quality digital special effects that make a show within the show. In the carnage that characterized the second half of the film, Aja relies to a very dense and fierce splatter it right, here and there a touch sarcastic, original and visually, like the piranha that comes from the head of a girl or slaughters the fate of the director " transgressive. "
addition, Aja knows how to handle the suspense and the final crescendo develops a voltage more than acceptable, thanks to the brevity of the story, which knows no delays or downtime. Vivacity and brilliance can not hide the risaputezza But the story that repeats for the umpteenth time already seen situations and magazines, with little in-depth characters are stereotypes, left to the skill - if any - of the individual actors.
In this respect, the experts point out Elisabeth Shue (now further down the time of nomination for an Oscar for Leaving Las Vegas, but still good) and the solid Ving Rhames. In a small role is also revise Christopher Lloyd (Back to the Future). Nice special interests for the directors Eli Roth (Hostel) and Franck Khalfoun (P2 - Level of terror) and Richard Dreyfuss, a pioneer of horror with water shark.

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The Fighter (2011)

PLOT
Dickie and Micky Ward are two brothers, both boxers. They live in Lowell, a small town in Massachusetts where Dickie, the eldest, has become something of a legend for having knocked Sugar Ray Leonard. Now, however, Dickie smokes crack and is less polished but does not want to stop being the coach's brother. Which is also under pressure from the family. Alice's mother claims to be his manager, backed by the tribe of sisters of the boy. Micky is sent the fray in a meeting and from there gradually grows the desire to break free from a family far too heavy to bear. The encounter with the bartender Charlene provides an additional impetus to this separation. It will not be an easy path, and maybe it will not be the right one.
A title that The Fighter might be called perfect because this film is about a boxer, but yes it is mainly the history of a constant battle against a man who, for a misunderstood concept of love (both fraternal or maternal), choking hazard to Always personality. Micky Ward, born in 1965, arrived at the world title in the category of Light Welter in 2000 but that the film focuses on is the relationship with the environment, whether family or social, in a sleepy provincial town.
It was not easy, it must be said, go back to boxing after a major motion picture Cinderella Man and it is no coincidence that the first candidate to direct it was Darren Aronofsky who gave up to get behind the camera (looks a bit ') The Wrestler but remained as executive producer. It was not easy but the bet is won, albeit with a final very "American" as one might say Italy in the sixties.
David O. Russell is betting everything on the dynamics of the relationship between brothers and Christian Bale gives him in the role of Dickie, one of its most comprehensive interpretation and full of humanity. Accustomed to change his physical at will (remember the performance of The Machinist?) Goes even further this time. Him in the eyes, even when it is in the foreground, all the desperate need to be appreciated for what could be and was not in life. This going to the mat for Sugar Ray Leonard and others emphasize that many boil down to slip the ring. Quell'apprezzamento looks for in a Micky, as often happens on the square, was put on the ropes of life. In particular, a mother whose exuberant ignorance prevents you from understanding that the front is not possible realization of the broken dream of his eldest son but a man who needs to identify only the his way.
is in this painful path that Micky finds within himself the strength to come to an end that is pacificatorio and, as mentioned, too 'happy'. But the sign inside him has changed. Now that he is no longer being driven. Now he has to choose. Even against all apparent reason but with the ability to distinguish what in family relationships, and this is to eliminate ballast that, despite appearances, is a value.

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SUBCONTRACTS

Normally, when supply companies wishing to subcontract the work, the parties must declare that they intend to assign the same in the contract. Then
award of work and during the work themselves, the company who asked not to subcontract work only with the authorization from the contracting authority, adding to the request with a statement of who they intend to subcontract the same work and with a pattern of sub-contract that meets all the requirements of Article. 118.
The deposit as well as the schema of the contract must be accompanied by documentation attesting to the possession by the subcontractors of all general and special requirements to participate in the procurement, required under the rules of law for the execution of public works.
From the date of receipt of said application shall begin a period of thirty days for the authorization and that 'it to be considered absent if the administration fails to denial of an authorization.
A subsequent and self-fulfillment 'of the deposit of subcontracting contract, once signed, in the contracting.
A period of 20 days will elapse before the work and is' intended to give the administration another spatium deliberandi for verification of the contract and includes a prohibition for the contractor to enable the effective beginning of the implementation of related work by the subcontractor.
This procedure is followed in the ordinary way does not exclude - in the absence of legal prohibition in this respect - that can be deposited at the time of application for authorization, not the schema, but the sub-contract entered into. In this case the aforesaid period of 30 days covering the space left by the Administration to grant or deny permission, both the 20-day period prescribed as first expected dell'inizio dell'esecuzione dei lavori.
Nel caso di subappalto senza autorizzazione dell'amministrazione subappaltante gli effetti sono chiaramente indicati per legge. A parte l'obbligo di denuncia al magistrato penale, ove ricorrano gli estremi relativi, e' rimessa alla valutazione discrezionale dell'amministrazione l'avvalersi delle facolta' che la legge le assegna di far valere l'invalidita' del contratto, di chiederne la risoluzione, a seguito di una ponderata valutazione degli interessi dell'amministrazione stessa.
In ordine, infine, alla possibilita' di autorizzazione a sanatoria, va considerato che la funzione della norma a contenuto di prevenzione, come risulta dalla stessa intitolazione della legge, ed il principio che l'autorizzazione must precede the activity 'and not follow it, suggests the unacceptable amnesty itself, to the adoption of measures for the definition of asset value her, even though' it is understood that they exist, primarily between the contractor and the subcontractor.

Determination of dell'AVCP n.20/2000 5/4/2000

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Shelter - paranormal Identity (2011)

PLOT
movies on multiple personalities (in this wonderful sense of Identity James Mangold) remind us of the fragility of the human mind, they are also a great way to brilliant writers are able to use it to organize events by unexpected twists. Writers will take less brilliant story disjointed and rambling as the multiple personalities of the mentally ill protagonist. This movie is closer to the latter category.
Cara Jessup is a forensic psychiatrist nerve and convinced of his ideas, among them is that the multiple personalities do not really exist, these are only suggestions. His father, Dr. Harding, submit the case of David Bernburg, a young in a wheelchair arrested for vagrancy and put under medical treatment after having found him a little upset. Cara talks with David and not finding anything particularly strange. But then he discovers the bold Adam Saber, who can safely get up from the wheelchair, both are in the same body, a convincing case of multiple personality. But there is something more: Cara discovers that the name of David Bernburg belongs to a murder victim. The mystery deepens, the figures are increasing, and strange deaths occur Cara understands to be the center of a terrible plot. Taken
good for the assumption - as is always wise to give a chance to even the films that force on the side of credibility - It must be said that the story, although told in a too-stiff, unable to arouse some curiosity at first, through an ingenious use of the mechanisms of psycho-thriller. Everything remains, however, precisely, manual and schematic. Despite the efforts of Jonathan Rhys Meyers, the derelict multiple is not apparent yet, nor as a credible threat or as a tragic figure and thick. The same goes for the doctor, that interpretation is no longer appropriate that Julianne Moore is an icy presence and presumptuous: it is just because it is put into play in professional that his certainties is one of the reasons the film narrative - with the traditional assumption that science explains everything - but the character remains monotonous and fails to engage, to lead in a convincing way the viewer inside the enigma.
pity because the turning point that determines the final solution of the mystery of the film takes on an entirely different that to be effective would need more justification narrative and dramatic as it seems mainly a shortcut to solve in some way myriad of arcane facts otherwise unjustified. The change log also dispels the charm and atmosphere and trivializes the original by bringing together the story in a confused, agitated and disorderly crescendo just succeed. The Swedish duo avoids directorial brilliance preferring fashionable a dark and austere style: the choice is good and even unusual these days, if not rendered ineffective by the extreme length of the film, the resulting monotony and loss of stylistic cohesion of the second part.
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AVERAGE NUMBER OF PERSONNEL ON AN ANNUAL DESIGN OF CONCRETE MIX

According to art. 66 DPR 21 December 1999, n. 554, relating to economic conditions - financial and technical - to participate in organizing design contests, those requirements are, inter alia, defined with respect:

'd) the average annual number of technical staff in the last three years (including active partners, employees and consultants under contracts coordinated and continuous collaboration on an annual basis), to an extent varying between 2 and 3 times the estimated unit in the contract for the performance of their duties. "

The legal issue concerns the interpretation of the term 'average annual number of technical staff in the last three years. "

Whether this requirement is met by calculating an average number of personnel on an annual basis, for each year of the three years, or by calculating the average number over three years, then divided for three years.

The first solution is more rigorous and favors competitors that have a large number of employees already at least three years.

It is thus a solution that helps competitors in a technical capacity - organizational stable over time and not only carried out closer to the date of the contract. The second solution

instead favoring competitors who are "grown" as the number of employees even in the period immediately preceding the date of publication of the contract.

The Board considers that it should adhere to the first interpretation, also followed by the TAR, both alla luce del dato letterale, sia alla luce della ratio legis.

Invero, la norma si riferisce al «numero medio annuo» del personale, e dunque mostra di chiedere il calcolo di una media annuale autonoma e distinta per ciascun anno del triennio.

Se la media andasse calcolata con riguardo al triennio, sarebbe stato sufficiente parlare di numero medio di personale nell’ultimo triennio.

Sotto il profilo della ratio legis, la prima soluzione dà maggiori garanzie dell’effettiva capacità tecnico – organizzativa del concorrente, meglio soddisfacendo lo scopo perseguito dalla norma.

Si deve perciò concludere che l’art. 66, lett. d), DPR 21 December 1999, n. 554, it states that economic conditions - financial and technical - to participate in organizing design contests, are defined with respect "to the average annual number of technical staff in the last three years" shall be interpreted as meaning that the average number of employees required the notice must be calculated separately for each year of the triennium and must be held for each of three years.

State Council, sect. VI, April 4, 2003, No 1774

**************************************** ******************

dell'AVCP by Resolution No. 29 of 26.02.2007:

"Under Article 42, paragraph 1, letter g) of d. Legislative Decree No. 163/2006, one of the ways to demonstrate technical capability in the procurement of services is through "an indication of the average annual number of employees of the competitor and the number of managerial staff over the past three years."

The term "average annual manpower company, the last three years" can only relate to the average annual allocation for each year of reference, which must be held for each of three years.

fact, as explained in the ruling Council of State No 1774/2003, with which the Board has interpreted the term "average annual number of staff in the last three years" in Article 66, paragraph 1, letter d) of Presidential Decree 554/1999, where it is had wanted to extract an average value with respect to the three-year period, "would have been enough talk about the average number of staff in the last three years."

This interpretation applies to the "literal method" to the words used in the clause that question in their semantic value according to the general language use.

This does not contradict the assertion by case Council of State No 37/2007, whereby, in adherence to the guidance regarding the Civil Cassation, the canons of interpretation of the clauses of the tender are those inferred by articles 1362 et seq. the Civil Code. The literal method is the first and most important tool in the interpretation process of a transaction (Cass. Civ. Sect. I, 22.12.2005 No 28 479), but must be integrated with the objective pursued by the clause if which the element is not literally run out and absorb any other criterion of interpretation.

The clause in question does not, however, elements of ambiguity, under which, pursuant to article 1369 cod. Civ., expressions that may have more meaning, have if in doubt, be understood in the most convenient to the nature and object of the contract. Moreover, even taking into account the need for "the wording is checked against the context of the entire contract" (Cass. Civ. Cit.) And "having to rebuild in any case the intent of the administration" (TAR Veneto, Venice, sect. III, 09/26/2006 No. 3076), shows that the contractor selection procedures the administration is required to identify the perpetrator of the contract on the basis of a choice that gives the strongest possible guarantees, within reason of technical capacity organizational enterprise.

2. reference to the definition of "organic", it should be noted that in this term, for the purposes of affecting the case, only the part of employees, permanent and temporary, and that hinged on a regular and permanent staff in the enterprise under of an employment relationship. In this sense, it is expressed in the 'No Authority with determination 8 / 2002 , relating to qualification requirements, which addresses a general nature shall apply by analogy to the case. Therefore remain outside, quasi-subordinate employees, attributable in self-employment (see circular of the Department of Public 15.7.2004 No 4) and consultants and other types of atypical workers.

It should be noted, finally, that in the calculation of average annual plan, all employees shall be calculated that in the year, have worked independently of the completed portion of the year. "

**** **********************************************

Ministry Infrastructure, Department for Infrastructure, General Affairs Directorate General and the staff to adjust and the Public Contracts Div IV Circular No 4649 of November 12, 2009, has issued the "clarification of the application of the provisions of art. 253, paragraph 15 bis of Legislative Decree no. April 12, 2006, No. 163."

This transitional rule (in force until December 31, 2010), introduced by the third corrective decree (No. 152 of 2008) and extended to March 31, 2011 by Decree milleproroghe, for engineering services and architecture, and for the demonstration of technical-professional requirements and viability for the award of contracts for the design, coordination of safety in design, construction supervision and coordination safety during construction and testing (Article 91 of the Contracts Code).

********************************************** ****************
see also: Regional Administrative Court of Puglia (Section One) No sentence 967 of 2005

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There are basically two types of mix-design: simple and complex.

The mix-design is simple when it is necessary to identify the composition of the concrete if you know the following three requirements that constitute the basic elements for each mix-design also the second Technical Regulations for Construction issued by the Ministerial Decree of 14 January 2008 *: •

class resistance → resistance characteristic (Rck) to be converted into a / c if you know the type of cement;

• the consistency class → workability;

• the diameter of aggregate (Dmax) available → compatibility with the concrete cover.

The mix-design is complex when, in addition to these three requirements, there is at least one additional feature (usually the durability) which involves giving the material.

From a practical point of view, since the recent legislation reported in the Technical Standards for Buildings issued by Ministerial Decree of January 24, 2008 provides that the project has always indicated the exposure class **, the only possibility for the existence of a simple mix design can be adopted only in X0 class buildings with exposure for which there is no constraint on the achievement of the durability (indoor environment of the rain).

The mix-design, project literally the mixture, and the procedure for calculating the composition of the concrete (in terms of quantity of cement, aggregates and water per m3 of concrete), from:

a) le proprietà ingegneristiche del materiale indurito (resistenza meccanica, modulo elastico, ritiro, scorrimento viscoso, durabilità, ecc.), quali risultano dall’esigenza del progetto dell’opera;

b) le esigenze esecutive (lavorabilità, organizzazione del cantiere, modalità di getto, ecc.);

c) i materiali disponibili (tipo di cemento, di inerti e di additivi).

L’accumulo di dati consolidati in oltre un secolo di esperienza sull’impiego del calcestruzzo consente di calcolare preventivamente la composizione della miscela partendo dai requisiti technical specifications. There are, in essence, a series of established correlations between the properties required of a part (mechanical strength, shrinkage, creep, durability, etc..) And the composition of the concrete part (water / cement ratio, aggregate / cement mixing water, etc.).. These correlations can be expressed from time to time in the form of equations, graphs or tables, are:

● water-cement ratio (a / c) which is the basic parameter - as well as the type of cement - in determining mechanical behavior, and resistance to environmental aggressions (durability);

● the choice of the basis for type (sand or crushed) and size (diameter) is of fundamental importance - as well as additives that change the workability of the fresh - to determine the water demand of concrete and have a significant the dosage of cement and the aggregates that: reduce the water - through a combination of aggregate and additive - logically means to reduce the cement content (with the same a / c) and then increase the volume of aggregate (with the same workability), with extraordinary benefits on the dimensional stability of the structure (in terms of lower drying shrinkage and less creep) e sul costo del materiale;

● il dosaggio di cemento è quindi la conseguenza logica dell’analisi sopra menzionata che consiste nel tramutare le esigenze ingegneristiche (resistenza meccanica, durabilità e lavorabilità) in una composizione del calcestruzzo. Esso, pertanto non può essere prefissato a priori da specifiche tecniche, con conseguenze talvolta disastrose fin dall’inizio di vita della struttura; per esempio: fessure indotte da gradienti termici e ritiro da essiccamento, entrambe provocate da un eccesso di calore di idratazione correlato con un eccessivo dosaggio ed impropria scelta del tipo di cemento. ( vedi articolo )

* In paragraph § 11.2.1 of the Technical Standards for Buildings issued by Ministerial Decree of 24 January 2008 states that "the requirement of the concrete at the time the project must be characterized at least by the class of strength, consistency class and the maximum diameter of the aggregate. "

** In paragraph § 11.2.11 the "Technical Regulations for Construction" states that "to ensure the durability of structures in ordinary reinforced and prestressed concrete, exposed to the environment, you should take the measures to limit the effects of degrado indotti dall’attacco chimico, fisico e derivante dalla corrosione delle armature e dai cicli di gelo e disgelo”.

Koleston Perfect Old Chart System

Spore

DESCRIPTION
Spore is a simulation of the evolution of a civilization from the earliest molecules to the conquest of the galaxy and is divided into several phases, each of which has its own style of play. Will Wright said he tried to make players able to spend as long as you want on each phase. If a player like for example the phase of the creatures will not be forced to abandon it to continue until it will do so.
The game consists of six phases, whose style is inspired by that of existing games and very popular. At the annual meeting of the Academy of Interactive Arts & Sciences on February 7, 2007, was shown a slide that listed eight phases of play. At the TED conference in March 2007 Wright spoke of only five steps [4].
games and movies Wright associated the various phases are:
- Pac-Man per la fase delle cellule,
- Diablo per la fase delle creature,
- Populous per la fase tribale,
- SimCity, Risiko! e Civilization per la fase di civilizzazione,
- SimEarth, Destroy All Humans!, Incontri ravvicinati del terzo tipo e 2001: odissea nello spazio per la fase spaziale, con elementi di sandbox per il tipo di gioco.
Lo svolgimento di ciascuna fase del gioco determina il preciso punto di partenza della fase successiva. Inoltre nel passaggio da una fase all'altra la creatura precedente funge da base per l'evoluzione nella fase successiva; questo non solo dal punto di vista fisico, ma anche dal punto di vista delle abilità che si ottengono nelle varie fasi: per esempio, mangiare più meat and vegetable in the mobile phase make the creature phase of a carnivorous creature, which will affect the appearance and behavior.


MINIMUM REQUIREMENTS For Windows XP: 2.0 GHz P4 processor

or equivalent 512 MB RAM
128 MB Video Card, with support for Pixel Shader 2.0
At least 6 GB of hard disk space for Windows Vista
:
2.0 GHz P4 processor or equivalent 768 MB RAM

128 MB Video Card, with support for Pixel Shader 2.0
At least 6 GB of hard drive space
addition, the publisher announced that by throwing the game, some users may receive Windows Vista this notice ("running out of address space) with a link to Microsoft Knowledge Base. Anyone who would run into this problem, it is recommended to follow the instructions and visit the site indicated in the message to update your system.
For computers that use a chipset integrated graphics, the game requires at least: Intel Integrated
Chipset, 945GM or above
Pentium D CPU 2.6 GHz or 1.8 GHz Core 2 Duo, or equivalent.

768 MB RAM Supported Video Cards (not mentioned future products, of course):

Series ATI Radeon 9500, 9600, 9800
X300, X600, X700, X800, X850
X1300, X1600, X1800, X1900, X1950
2400, 2600, 2900,
3650, 3850, 3870

Series NVIDIA GeForce FX 5900, FX 5950
6200, 6500, 6600, 6800,
7200, 7300, 7600, 7800, 7900, 7950
8400, 8500, 8600, 8800

Intel Extreme Graphics GMA 950, GMA X3000, GMA X3100

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How Many Wi-fi Connections Can A Router Handle

CONTRIBUTORY AND SAFETY REQUIREMENTS FOR CONTRACTS

Con la Circolare 5/2011, il Ministero del Lavoro ha evidenziato le problematiche connesse agli appalti che possono avere ripercussioni su sicurezza, illeciti e obblighi contributivi.

Il testo chiarisce il significato di appalto “genuino”, gli obblighi retributivi, i criteri di scelta dei contraenti, la responsabilità solidale tra committente, appaltatore ed eventuali subappaltatori, il ricorso alla certificazione, nonché la disciplina per la salute e sicurezza del lavoro.

Low Lights On Dark Hair

Unknown - No Identity (2011)

PLOT
Martin Harris is a famous American botanist and married to the beautiful blonde Liz. Landed at Berlin with First Lady, Dr. Harris via taxi the hotel Adlon, where he held a prestigious conference on biotechnology. Realizing very soon not have to carry his briefcase, Martin takes a second direct taxi to the airport to retrieve the luggage. Unfortunately ended his race in the river and saved by the young woman driving the vehicle, the man was admitted unconscious. Only undocumented and awakens from a coma after four days, just remember to be Martin Harris and have a wife waiting for him at the hotel. Resigned despite the apparent state of confusion and contrary to the opinion of the doctor, Martin returns to where he started, discovering to his horror that his girlfriend does not know who he is, and that the stranger next to him, declare that even Dr. Martin Harris. Forcibly removed by security, Martin will have to liquidate the recovering impostor, memory and identity.
Two years after the scandal provoked by his Orphan, horror movie produced by DiCaprio's Appian Way, Jaume Collet-Serra turns the page, change the type and the accusations of stores 'importunity' associations from the U.S. moves for children. Inside a desaturated Berlin, wrapped in light gray and always winter moon, the English filmmaker 'rushes' identity of the protagonist without Liam Neeson, as a result of a trauma will have to solve a problem in a strange city, and filled with antagonists.
The urban dimension of its global adventures and is fixed by aerial shots that exhibit a hero disoriented and uncertain ideally next Cary Grant of the suspect's guilt, of North by Northwest, To Catch a Thief. Hit by confused memories of the tracks his marriage and a journey of love in Paris, Martin Harris is a common man involved in spite of himself in a situation bigger than him, in which unexpectedly give his best, drawing on (in) Suspicion of resources to rediscover literally. Why in the psychological thriller Collet-Serra and no one who claims to be and anyone who is not believed to be.
Referring to and quoting from the Hitchcock film mentioned above and denouncing the reference to Polanski (the slippery sequence on the roof), Unknown celebrates the dialectic ordinary / extraordinary and apply directly to the protagonist: bland and anonymous first normal man, a man of action and brilliant determined later. It is undoubtedly Liam Neeson's intense interpretation to determine the energy and pace of a film that chases clues and piece together bits and pieces of identity. And slowly the fortuitous circumstances give way to specify an architecture, the fatality comes together in a device inevitable and the protagonist back to the beginning of self.
Has no sign of stylistic Polanski (Frantic) and tough and impossible to join by Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum), Collet-Serra still packs a film with a strong expressive impact that retrieves the pleasure of the chase, 's anxiety and startle. Contributes to the success of an impeccable cast. To note the understated Sebastian Koch, "Nazi good "for> Verhoeven (Black Book), the grace and action of blonde Diane Kruger, the caustic ambiguity of Frank Langella and the Extent of Bruno Ganz, rigorous former Stasi officer, operating this time from the 'good' of the wall.

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are the number four (2011 )

PLOT
aliens exist and are fighting a war underground and invisible (unless it destroys school facilities ) for canceling each other out. The two races are, there are loreniani, in all respects like us, fled from their home planet and mogadoriani, like us, but most monstrous, that after the first colonized the planet's now hunt on Earth.
mogadoriani The survivors are killing the planet Lorien, and they do it in a specific order: first the number one, then number two and so on. Whenever one of them dies the other loreniani feel the event and will light a tattoo on their body. Dead number three, number four knows it's his turn came, fortunately on a day of school like other discovers he has powers that allow him to defend himself. Based on the homonymous book of
Pittacus Lore (aka joining the pen of James Frey and Jobie Hughes) DJ Caruso takes shoulder the burden of directing a script that is not ashamed to draw on his hands for the past 30 years of film legends, with the sole purpose of creating a new franchise at the table.
Yet I'm the number four seems to have more in common with those films that have become legends (though they wished fervently) as a jumper or The Sorcerer's Apprentice, rather than those who are now. After
be able to make an unofficial remake of Rear Window, Disturbia as a small jewel of rhythm and fun, DJ Caruso directed a string of interest-free meetings and clashes between aliens (the good guys like the most beautiful of humans, monstrous evil), forgetting to find a key personale di messa in scena. Sono il numero quattro è un film senz'anima e senza personalità, un puzzle di ottimi pezzi che una volta uniti non mostrano una figura nuova. Mescolato nel mare di prodotti simili, in cui adolescenti fuori dalla norma si innamorano di adolescenti nella norma e insieme cercano di trovare una dimensione per se stessi contro un destino avverso, Sono il numero quattro si confonde fino a sparire. Privo di qualità che lo facciano spiccare e privo di un'idea estetica che lo identifichi agli occhi del suo pubblico (come il plumbeo pallore di Twilight o il contrastato mondo blu scuro di Underworld) quest'ennesima variazione sul tema supereroistico sembra destinata al dimenticatoio.
Da figlioccio artistico di Spielberg, quale ha dichiarato and proved in the past, Caruso seemed to have the credentials to interpret the spirit of today's best film Spielberg: the union between business needs and aspirations (both the author and the public). But everything sinks in front of the empty sound of whirling and are number four. One day
rethink laughing at this period film made of sagas at all costs.

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127 hours (2011) The determination

PLOT
Aron Ralston, 26, a sports enthusiast and freedom, is granted a day of biking and hiking in Blue John Canyon in Utah. Sun, music, stunning scenery and a chance encounter with two beautiful hikes that are suitable for diving and laughter: what you ask for? He returned alone, however, going down a crevasse, Aron inadvertently moves a rock millions of years old and found himself pinned, one arm stuck between this and the rock with virtually no food or water. Survive 5 days in serious physical and psychological conditions, reaching, for free, segarsi in the arm with a boxcutter.
Danny Boyle has always refers to the cinema as an extreme sport. For better or worse, like it or do turn up their nose, this is his creed, his march. In the past, But after meeting with the magical imagery of Irvine Welsh, it is often strive for to match the pace and direction of the stories with that of his vision and his camera, forcing her hand and running out with pleasure in virtuosity free and grezzotto.
The real story of Aron Ralston has offered, instead, the British director who has been waiting for this (or maybe we were waiting for him more than he does), that is bread for his teeth, food for her mind. Boyle re-imagines, in fact, the extreme experience of Ralston with slow motion and accelerations, the subjective and impossible to double in size (the video camera, as in The Beach) that he likes so much, but with a modesty and a Cleaning that we were not ready to give it.
challenge himself as the protagonist and the possibilities of her body, drawing enjoyment, it is clear that the director responds with pleasure to the challenge of building secure an action movie with an actor who can not move. Yet neither this nor the easy overthrow human portrait of the overcrowding in the images of opening and the vacuum that imprisons the boy later, or between the hot and cold of the films of the will given to the videos, to stick to the film. Rather, it is the idea expressed in a sentence dictated by the delusion, namely that the stone Aron expected since he was born and that his life had not been that a preparation for that day, which contains an idea of \u200b\u200bcinema strong and exciting and makes the flashbacks and hallucinations have a soul and that the act of our thinking and that of film come back here to meet without forcing, name of a similar nature.
Without falling into the drama of pain, James Franco gives a better proof of his talent, succeeding only with the first plan to build a character full of contradictions, from the extraordinary strength of mind.
At the end of a cinematic experience like this is a final pardons to the director useless, out of style and out of place.

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(2011)

TRAMA
Mattie Ross è una quattordicenne fermamente intenzionata a portare dinanzi al giudice, perché venga condannato alla pena capitale, Tom Chaney l'uomo che ha brutalmente assassinato suo padre. Per far ciò ingaggia lo sceriffo Rooster Cogburn non più giovane e alcolizzato ma ritenuto da tutti un uomo duro. Cogburn non vuole la ragazzina tra i piedi ma lei gli si impone. Così come, in un certo qual modo, gli verrà imposta la presenza del ranger texano LaBoeuf. I tre si mettono sulle tracce di Chaney che, nel frattempo, si è unito a una pericolosa banda.
“I wicked flee when no one pursues them. " With this passage from the Book of Proverbs that opens the film is yet another challenge for the Coen. This time the two directors decided to deal with at the same time a kind that (albeit in their own way) already explored (the western) and an icon of cinema as John Wayne. It was not an easy task to make a remake of Henry Hathaway, which won him the Academy Award for his protagonist. But, as always, the Coens are able to build a total work while respecting staff (most original) spirit of the novel by Charles Portis to which the screenplay is based.
Already there is a biblical quotation mark. Mattie is forced to seek justice from becoming purely determined and away from the iconography of the woman of the West (Calamity Jane, Vienna / Joan Crawford and a few other examples aside) but also by a religious fundamentalism that has its roots. The Coen visually eliminate the prologue suggesting the story as a flashback memory of the woman Mattie. A woman became too early because that was born in a world dominated by ignorance ("My mother can barely make the spelling of the word cat") and death.
is a film about detachment, loss, separation The Grit. Mattie did not kiss the corpse of his father (as requested) but will assist the hanging of three convicted two of them can express their repentance or their anger. The third non- may do so: it is a native American Indians. Mattie, however, sleep in the same room next to the burial of corpses hung. From that moment begins a long journey where Rooster Cogburn, The Grit said, will be a sort of disenchanted yet ready to tell the painful Virgil himself and his daily confrontation with death inflicted or sustained. Mattie will see for the first time while not coming to town with the captured criminals (like the movie in 1969) but rise gradually to the vision while in court he was asked on behalf of the murders (in favor of the law but still some homicides) made. Jeff Bridges is perfect in making this almost tangible figure of a man of the frontier cinematically poised between the classical and the spaghetti-western. The Duke Wayne
is left behind and face a trip to a kind destined to bring, meeting after meeting and confrontation after confrontation, reflection on a way of understanding the social comparison and not too far from that in place in these our troubled times . Because, let's not forget, even the most seemingly abstract film of Coen always bites (and with great clarity) on the present.

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The Black Swan (2011)

PLOT
Nina is a dancer New York City Ballet who dreams of life and the role of a love that breaks the spell of adolescence never finished. Pressed by a frustrated mother, she undergoes a grueling training under the watchful eye of Thomas Leroy demanding. Choreographer passionate and determined to make it a shining star, Leroy assigns part of the protagonist in his new version of "Swan Lake". On stage will be Nina Odette, a princess turned into a swan by the magician's spell Rothbard, which can only dissolve the oath of eternal love. Ethereal and full of grace Nina embodying the innocence of the white swan and difficulties with its double-black darkness, in a superb variation deceive her prince and will vote for suicide. The obsessive search for the dark side and the awareness of his sexuality lead to an emotional storm and a meeting with Lily, insidious rival in black. Behind the scenes Nina melts and gets ready to 'double' its white swan.
Two years after the Incarnation in The Wrestler radical found in the sample in the disarmament of Mickey Rourke, Darren Aronofsky's film puts the screen in a story speculating. Founded on the same simple "theorem", get into a ring or on the boards of the stage to exist, Black Swan takes this time to debut with the protagonist's life and role in life. To be, Nina Portman will be forced to take a lift to hell and fight with his double up with him to contemplate and achieve perfection. In aid of the New York director shall be the quintessential ballet, a classic of dance theater, a perfect synthesis of poetry, choreography and lunar late romantic, formal clarity and disturbing symbols of psychoanalysis, which opposed a white swan (Odette) to a black swan ( Odile) between arabesque and attitude, including tremors of the arms and amazing nervous body movements. It is precisely this perspective opens the way to screwing mental fluctuations and internal bodily metamorphosis missing the mark, showing off the enormous philosophical ambitions of the author.
spatial-geometric relationships between the characters and architecture alive and in motion created by the corps de ballet, perfect refraction and propagation of Odette, inspired by Black Swan and found his story without limits and boundaries of gender. Drama, melodrama, thriller and horror are combined on the stage area (re) created by Aronofsky and divided into positive and negative poles of attraction which vanish at the center when the amorous ecstasy of Odette and her prince, and Nina her choreographer.
Once again the director focuses on the scene a body, a woman struggling with something else, obsession and object of veneration with which to search for a possible integration. But if Mickey Rourke, full of meat and bruising punches in the face, has managed the company's flight on the black epilogue, Natalie Portman fails the parable and the truth of the body, echoing the gestures cignesca and collapsing on the floor.

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Last Night (2011)

PLOT
Michael designed the renovation of commercial properties, Joanna is a freelance trying to overcome the 'impasse of the first novel. Together forever and married for four years, Michael and Joanna are leading a comfortable life in a New York apartment and ideal of the perfect. During a working dinner, watching her husband and his handsome new colleague, Joanna is disturbed their understanding. Determined to clear up what they saw or think I have seen, faces Michael admits that innocent charm and attraction of Laura. One night and two eggs later, the couple found the peace and wake to a new day will find them far away geographically and emotionally confused. In Philadelphia to meet with a client, Michael travels with Laura and enjoy the fantasy of perhaps quell'infedeltà. In New York while Joanna is surprised by Alex in front of a cafe, a love that never occurred already met and writes books and lives in Paris with the wrong woman. Within the same night but in different places and distant, Michael and Joanna will suffer the invincible force of desire.
Massy Tadjedin debutta magnificamente al cinema con una storia che sa più di vita che di letteratura. Aggiornandolo alla contemporaneità e inserendolo in un contesto contemporaneo, Last Night mette in scena il mal d’amore che si fa immancabilmente melodramma. Eludendo la parabola degli amanti senza via di scampo, l’esordiente americana di origine iraniana osserva e indaga gli atti mancati e quelli compiuti di uomini e donne che il capriccio del caso o la volontà personale incontrano nel tempo di una notte. Una notte soltanto per ritrovarsi o per respingersi, un’occasione che non si ripeterà per abbandonarsi interamente alla propria natura o per tenerle testa.
Last Night muove due storie e si muove su due piani, raddoppiando i sentimenti e declinandoli per generi: una passione di ritorno per la coppia Knightley-Canet, un’equazione inevitabile e folgorante per gli amanti Worthington-Mendes. A Philadelphia, dove l’amore manca e la dismisura domina, il linguaggio del film si fa materico e l’esplosione fisica degli amanti, assicurata e resa plausibile dalla bellezza aperta e dalla presenza carnale di Eva Mendes, corrisponde a un collasso dell’identità del marito di Sam Worthington. A New York invece la vicenda d’amour fou è una partita più sofisticata, giocata da due anime dolenti che non ce la fanno a voltare pagina, spettatrici della loro innocenza perseguitata da un amore di cui non smetteranno mai di essere capaci. Il volto irregolare e la sensualità modulated by the modesty of Keira Knightley is coupled with the narrow face of tragic Guillaume Canet, who celebrates with his interpretation of the impossibility of fulfillment el'ininterrotto continuation of unhappiness which is the lifeblood of painful melodrama.
Massy Tadjedin insists on the first floors with Magic ever participation without judging his characters but merely licking the night-time tours, to consider the love that has been offered to attend to the way in which emotions determine their entire lives. Those starting after last night, when lovers rewind the wishful thinking and the only possible relief valve are the tears. Image of feelings repressed and on the intention to say without ever saying a Last Night is suspended in the boundary confining the pathos and the certainties revealed.

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The speech of the King (2011)

PLOT
Duke of York and second son of King George V, Bertie is suffering from childhood from a severe stutter that alienates the account of his father, the favor of the court and the affection of the English people. The son of a father anaffective and loving father of Elizabeth (the future Queen Elizabeth II) and Margaret, Bertie is forced against his will to speak in public and into the microphones of the radio medium success of the thirties. Replaced the body with the hands, the Duke of York must re-educate the stuttering, throw out the words and find a voice. Help him the devotion of Lady Lyon, his loving wife, and unconventional techniques of Lionel Logue, an Australian speech therapist. Between spasms, muscle relaxation, time of release and joints more or less perfect, his brother Bertie scalzerà "regneggiante" ascend the throne under the name of George VI and will find correct speech in his speech better. What inspired his lead nation against Nazi Germany.
After telling the story of the American Revolution in nove ore, dentro una mini-serie e attraverso gli occhi del secondo presidente degli States (John Adams), Tom Hooper volge lo sguardo verso il vecchio continente, colto in tribolazione e alla vigilia del Secondo Conflitto Mondiale. Al centro del palcoscenico la cronaca del malinconico e addolorato Duca di York, figlio secondogenito dell'energico Giorgio V, inchiodato dalla balbuzie e da una complessata inferiorità di fronte allo spigliato fratello maggiore David. Crogiolo d'angoscia (im)medicabile e di squilibri emotivi sono quelle esitazioni, quei prolungamenti di suoni, quei continui blocchi silenti che impediscono a Bertie di esprimersi adeguatamente, ingenerando una sensazione di impotenza.
Il regista britannico si concentra sul vissuto interno the protagonist, revealing the emotional consequences of the discomfort in speaking at the time of the radio and in the absence of vision. The king's speech is not limited to dramatize the most important season of life of the noble York and report a biographical sketch of truth with a dramatic and historical context of totalitarianism in Europe, next to the instrumental excesses of Adolf Hitler and propaganda. Not immune to the king sensitive Colin Firth and director Hooper Read the speaking skills of Hitler, who understood early on the strategies of negotiation between the listener (s) sound object, the first committed in an attempt to reconstruct the image of the item with no body, the second by establishing a relationship of credibility and even di fede con la voce dall'altoparlante.
Se il mondo precipitava nell'abisso non era tempo di guardare al mondo con paura, soprattutto per un sovrano. Bertie, incoronato Giorgio VI, doveva ricucire dentro di sé il filo interrotto della relazione con l'altro, affrontando il suo popolo dietro al microfono e l'immaginario radiofonico. Fu un illuminato e poco allineato logopedista australiano a correggere il “mal di voce” di un re che voleva imporsi al silenzio. Lionel Logue sostituì col metodo il protocollo di corte, educando la balbuzie del suo blasonato allievo e incoraggiandolo a costruire la propria autostima, a riprendere il controllo della propria vita e a vincere prima la guerra con le parole e poi quella con le potenze dell'Asse.
To gain influence and take the word is the 'royal' star Colin Firth, in articulating the impeccable legato, solemn in its physical re-proposed plastic ruler and proper interpretation of a king 'plaster' emotions and embodiment in accordance with strict discipline. Behind the 'king' is the eccentric charm of Geoffrey Rush, the bearer of a "shining" shining, revealing the beauty of music (Shine), or that of a man finally free from the fear of communicating. Long live the king (and his amiable preceptor of speech).

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PowerMill

DESCRIPTION
in PowerMILL 9 have been significant improvements made to the Graphical User Interface (GUI) Box for the management of the Block is now able to manage all sizes, it is more simple definition tool conical-toroidal thanks to the automatic parameter selection calcolo.La dragging allows users to select entities' multiple dragging. The selected objects become more shading 'of color more' clear, while those not selected are gray.

selection of the bodies 'more' quick and easy
Users can change
easily block size reduces the potential 'human errors

PowerMILL 9 sees the introduction of new methods for using the tool compensation 2D. The Clearing and 'now applied and defined in forms of strategies lavorazione.Compensazione total radius or wear are managed under the protection of minimum radius. These functions are handled by the machine tool with the G41 and G42 commands:

Animation Wireframe Simulation
ViewMILL
Check collision Collision Monitoring machine tool spindle


Developed primarily for trimming of sheet metal dies, you can work a curve PowerMILL9 wireframe 3D according to the right or sinistra.La 3D curve is offsettata in X and Y and Z riamane variable. The Z value is transferred from the initial curve to calculate the toolpath while PowerMILL radius compensation in the tool path.

Users can create and edit geometric profiles starting with wireframe lines, arcs, curves, straight into PowerMILL. The cursor allows you to connect intelligent endpoints, midpoints and intersections. Users can also make snap to grid, add fillets between tangent lines and arcs. More info

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9 Corel Paint Shop Pro Photo X2

DESCRIPTION
Corel Paint Shop Pro Photo X2 is the ideal choice for any laboratory digital photo enthusiast. Full of valuable tools, from simple automatic correction to more sophisticated photo editing tools. Includes online tutorials that help you learn the program even for novice users!

New in Paint Shop Pro Photo X2

NEW!
Express Lab This all-new mode of camera super quick fix is \u200b\u200bjust incredible! You'll save precious time, because the Express Lab lets you edit dozens of photos in the time it used to take to edit just a few. You books including folders full of photos and crop them, rotate, remove red eye and straighten them all without having to open them one at a time.

And that's just a little taste of everything you do in the NEW Express Lab. Even if we try to explain how quickly you can browse, view and correct your photos, you will understand the true power of the NEW Express Lab only trying it in person.

NEW! Graphite Workspace Theme
addition to the brand new features, Paint Shop Pro Photo X2 includes a totally different look. Just run the program, enter the NEW Graphite Workspace Theme, thanks to the darkest shade, giving more emphasis to your photos! Who does not like change, you can still return to the classic with a few mouse clicks.

NEW! HDR Photo Merge command
NEW HDR Photo Merge you can easily get all the details in the shadows and light of your images. HDR Photo Merge lets you combine two or more photos taken at different exposures, balancing automatically in order to bring out the contrast!

NEW! Layer Styles
NEW Layer Styles you can easily add drop shadows, embossing, outer and inner glows, bevels and even reflections to text, photographs and creative projects. This will surprise you: apply any changes to the level and the effect will automatically change accordingly.

NEW! Visible Watermarks Whether
for professional photographers and enthusiasts who love to share their photos online, it is possible to apply a slight watermark to remind the recipients on behalf of the photographer. NEW Visible Watermarks feature you can create and add a personal watermark to all your photographs.

NEW! Ornaments and Picture Frames
Paint Shop Pro Photo X2 includes over 30 brand new professionally-designed ornaments and 30 new Picture Frames! In addition, the person making the upgrade to Paint Shop Pro Photo X2 will find a unique set of Ornaments Picture Frames and completely new, never seen before!

TRAINING! Convert black and white film
This feature lets you create dynamic black & white photos by simulating the effects of a black and white film with colored filters.

Now you can choose from an infinite range of color combinations, unlike the previous default color filters. This allows you to fully control the creativity of the Channel Mixer command, but with a far more simple. Also, you can adjust the brightness and sharpness to be applied to further enhance the effect black and white.

NEWS AND IMPROVEMENTS! Makeover Tools
tools Trick Paint Shop Pro Photo offers a range of professional photo-editing tools extremely easy to use. This year we have two new features in the toolbox: NEW Command ™ fasteners, to streamline the subjects of the photographs with a single click, the new command Sharpness eyes, to remove the red out of bloodshot eyes. In addition, features were improved stain removal and brush tan.

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Anime Hot Nami Nico Robin

Whatever (2011)

PLOT
A specter is haunting the Calabria is the specter of law. Against this unfortunate incident, represented by the candidate for mayor of Marina di Sopra, certain De Santis, the 'smart' man of the host country of Providence: The Whatever Cetto, returning from a period of hiding with a new wife, whom he calls What, and her daughter, who does not call its own. Vulgar, dishonest, corrupt, but especially proud of be all that and much worse, Cetto first resorts to Mafia intimidation, then at doses of unimaginable vulgar propaganda, so he hires a specialist. The goal, namely the election victory, fully justifies the means, which in this case ranging from meeting at church, offering half-naked girls as if they were discarded candy, Melo jailing of his son in his stead. Until the dirtiest of tricks.
The character created by Antonio and Piero Guerrera Albanian jumps from small to big screen, ie the measure space-time sketch of the feature story, under the guidance and responsibility of Giulio Manfredonia and Fandango, and land on their feet. Do not mark an unexpected result ma si posiziona bene rispetto alle aspettative: non annoia, non divaga, non infarcisce la sceneggiatura di corpi estranei, buoni per una gag in più ma in fondo accessori. Non fa nemmeno ridere, e questo può apparentemente rappresentare un problema, ma non per forza. Si mormora in giro che il film esca datato, svilito da uno sprint della realtà politica attuale, che si supera da sola, divenendo sur-realtà, al pari di quella immaginata in Qualunquemente. Eppure non è proprio o soltanto così. Se mai ad essere surreale, ma in quanto concentrato di caratteristiche e costumi assolutamente veritieri, è il personaggio di Cetto, la sua mancanza di un limite, non certo la realtà delle colate di cemento sulla spiaggia, delle fogne that discharge into the sea, petrol coupons or a gift of electoral fraud and even bigamy, allusions to the affected and "assessor" chosen according to the physical. The film
Albanian Manfredonia and should not be mistaken for a movie entertaining, although some fought for good luck does not fail ("Soon I will be mayor, deputy mayor for which you are legally" or "You start with give way at an intersection and ends that you become ricchione "), and even a tragicomedy with Fantozzi, although the director of the citi inspirations: rather, it is a violent film, which offers no discounts and the" bad "a win across the board. The indifference to this entrepreneur lent to politics, always cheerful and moving from an abuse of power to another, careless in theory and in practice, it should be something to laugh for exorcism, for hysteria dictated by fear, not for fun or for the pleasure of looking in the mirror. If you really must give it a label, we say that a film is "a complaint" with the merits and limits of the film "committed", who chose the way of satire rather than that of tragedy.

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Gold Table Number Stand

Sanctum (2011)

PLOT
In una riserva di grotte in Nuova Guinea, un gruppo di speleologi si occupa della perlustrazione di un sistema di cave sottomarine alla ricerca di nuovi condotti e di anfratti ancestrali. Il più giovane della compagnia è Josh, figlio adolescente del capo-speleologo Frank in pieno dissidio paterno. Assieme al ricco finanziatore della spedizione Carl e alla sua fidanzata Victoria, Josh raggiunge il gruppo di esploratori nelle profondità delle caverne mentre si consuma una tragedia: dopo aver trovato un nuovo passaggio che porta a una grande cattedrale degli abissi, Frank non è riuscito a mettere in salvo la sommozzatrice Judes, rimasta senza ossigeno. La morte della collega fa esplodere le tensioni fra Frank e Josh, che arrivano ad accusarsi a vicenda per quanto success, but just then a tropical storm strikes on the reserve, making it impossible to lift and forcing the group to pass through the ocean depths to emerge on the surface.
not just for promotional reasons that the name of executive producer James Cameron stands out much more dramatically than that of the director Alister Grierson Sanctum of the posters. The parental rights of the Titanic "King of the World" is highlighted in both the technological device used (the cameras are the same as Cameron has developed for working offline), but in certain elements of the story. In this enterprise of a group of underwater divers trapped in the bowels of the Pacific Ocean, we find In fact, his obsession with the submarine depths began with The Abyss and never abandoned, but also some more subtle factors such as technological performance apparatus (mapping animated environments), the game between survivors of the massacre (not far from that Marines of Aliens or offline) and, more generally, the taste for the mix of genres as "low" (the exotic adventure and the action-thriller). Yet this attempt to dive in the plots of the filmography of Cameron does not try too much to reach the depth of technological advance or the balance between size and futuristic classic tale of his films. Instead, after a boot still capable of generating tension, Sanctum is soon in oxygen debt and proceeds accumulating ambiguous characterizations of the characters and anodyne pretexts for suspense. Stereoscopy is without doubt the element of water and functional as long as the characters move between the depths of the Pacific Marine and cathedrals, with their bulky diving suits, he willingly wallows between the images with our polarized glasses. But also the effect of wonder 3D runs out soon, as the young Australian director proves rude movements and returns to the surface above the defects of its technological apparatus, lagging plans between narrow and tight fitting places characters constantly on the edge framework. So, rather than a tasty e ingenuo B-Movie da drive-in in stile anni Settanta (con un più facoltoso Cameron a prendere virtualmente il posto che fu di Roger Corman e della sua factory), ci si trova di fronte a un surrogato di un film di Cameron, a un suo anonimo avatar.

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