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Whatever (2011)

PLOT
A specter is haunting the Calabria is the specter of law. Against this unfortunate incident, represented by the candidate for mayor of Marina di Sopra, certain De Santis, the 'smart' man of the host country of Providence: The Whatever Cetto, returning from a period of hiding with a new wife, whom he calls What, and her daughter, who does not call its own. Vulgar, dishonest, corrupt, but especially proud of be all that and much worse, Cetto first resorts to Mafia intimidation, then at doses of unimaginable vulgar propaganda, so he hires a specialist. The goal, namely the election victory, fully justifies the means, which in this case ranging from meeting at church, offering half-naked girls as if they were discarded candy, Melo jailing of his son in his stead. Until the dirtiest of tricks.
The character created by Antonio and Piero Guerrera Albanian jumps from small to big screen, ie the measure space-time sketch of the feature story, under the guidance and responsibility of Giulio Manfredonia and Fandango, and land on their feet. Do not mark an unexpected result ma si posiziona bene rispetto alle aspettative: non annoia, non divaga, non infarcisce la sceneggiatura di corpi estranei, buoni per una gag in più ma in fondo accessori. Non fa nemmeno ridere, e questo può apparentemente rappresentare un problema, ma non per forza. Si mormora in giro che il film esca datato, svilito da uno sprint della realtà politica attuale, che si supera da sola, divenendo sur-realtà, al pari di quella immaginata in Qualunquemente. Eppure non è proprio o soltanto così. Se mai ad essere surreale, ma in quanto concentrato di caratteristiche e costumi assolutamente veritieri, è il personaggio di Cetto, la sua mancanza di un limite, non certo la realtà delle colate di cemento sulla spiaggia, delle fogne that discharge into the sea, petrol coupons or a gift of electoral fraud and even bigamy, allusions to the affected and "assessor" chosen according to the physical. The film
Albanian Manfredonia and should not be mistaken for a movie entertaining, although some fought for good luck does not fail ("Soon I will be mayor, deputy mayor for which you are legally" or "You start with give way at an intersection and ends that you become ricchione "), and even a tragicomedy with Fantozzi, although the director of the citi inspirations: rather, it is a violent film, which offers no discounts and the" bad "a win across the board. The indifference to this entrepreneur lent to politics, always cheerful and moving from an abuse of power to another, careless in theory and in practice, it should be something to laugh for exorcism, for hysteria dictated by fear, not for fun or for the pleasure of looking in the mirror. If you really must give it a label, we say that a film is "a complaint" with the merits and limits of the film "committed", who chose the way of satire rather than that of tragedy.

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